Lucia Lacarra and Marlon Dino in Three Preludes III

Lucia Lacarra and Marlon Dino in Three Preludes III. Music by Sergei Rachmaninoff, choreography by Ben Stevenson. Pianist Peter Chuknov. Shot on 2014.09.27, State Kremlin Palace, Kremlin Gala: The Ballet Stars of 21.th Century.

See also Prelude I and Prelude II

Lucia Lacarra and Marlon Dino in Three Preludes

Lucia Lacarra and Marlon Dino in Three Preludes

Lucia Lacarra and Marlon Dino in Three Preludes

Lucia Lacarra and Marlon Dino in Three Preludes

Lucia Lacarra and Marlon Dino in Three Preludes

Lucia Lacarra and Marlon Dino in Three Preludes

Lucia Lacarra and Marlon Dino in Three Preludes

Lucia Lacarra and Marlon Dino in Three Preludes

See also Prelude I and Prelude II

Lucia Lacarra is Principal with Bavarian state Ballet (Bayerisches Staatsballett). She was born in San Sebastián, Spain. When in her small Basque hometown a studio was opened that she was able to begin with lessons at 10. Soon she was sent to a summer course directed by Rosella Hightower. Later she was sent to San Sebastián to Mentxu Medel who worked with Lucia for three years in a completely unselfish way to prepare her for the audition to Victor Ullate´s school in Madrid. She was just fifteen when she danced Balanchine´s Allegro Brillante.  In 1994 she joined Roland Petit´s Ballets de Marseille as principal. Petit immediately entrusted her with the role of Esmeralda, with Patrick Dupont as her partner, in Notre Dame de Paris, replacing Dominique Khalfouni. From Roland Petit she learned above all to always be emotionally present on stage and she felt that in this company everything was danced in a somewhat more classical style. Within three years she danced the leading roles in seven ballets by Roland Petit, four of which were created on her, most notably Angélique in Le Guépard and, as partner of Nicolas Le Riche, in the famous Le Jeune homme et la Mort. In her pursuit of classicism she then decided to join the San Francisco Ballet. Under the direction of Helgi Tomasson she could dance Giselle, Swan Lake, The Sleeping Beauty for the first time, i.e. some of the classical roles that a young ballerina has to master. The Cage, In the Night and Dances at a Gathering by Jerome Robbins became part of her repertoire, as well as six Balanchine ballets, from Serenade to Jewels, and Victor Gsovsky´s Grand Pas Classique, three ballets by Helgi Tomasson, MacMillian´s The Invitation, van Manen´s Black Cake, Nacho Duato´s Without Words, Roland Petit´s L’Arlésienne and Desdemona in Lar Lubovitch´s contemporary Othello. Lucia Lacarra has joined the Bayerisches Staatsballett with the 2002/2003 season in order to return towards the leading European choreographers.

Marlon Dino is currently principal at Bayerische Staatsballett. He was born in Albania and trained at the School of Choreography and Ballet in Tirana. In 1998 he joined the Genève Dance Center under the direction of David Allen. Thereafter in 2001 he danced for the Ballet of the Vienna State Opera. He became member of the Corps de ballet of the Bavarian State Ballet in 2002, where he danced a solo part in Jiří Kylián’s Six Dances. He was promoted to soloist in autumn 2005 and at the beginning of the season 2007/2008 to soloist. During the season 2009/2010 he became principal dancer.

Photo by Jack Devant ballet photography © with kind permission of the State Kremlin Palace and ms. Anastasia Kulikova, special thanks Konstantin Yaroshevsky.

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